![]() ![]() Midtone Tint: Fine-tunes the white-balance adjustment for the midtones only by neutralizing a remaining green or magenta tint. Increase the value to add warm (orange) tones to the image, or decrease the value to add cool (blue) tones. Midtone Warmth: Adjusts the color temperature of the midtone areas of the image. Increase the value to add a magenta tint to the image, or decrease the value to add a green tint. Highlight Tint: Fine-tunes the white-balance adjustment by neutralizing a remaining green or magenta tint. Highlight Warmth: Adjusts the color temperature of the lightest areas of the image. Shadows: Adjusts the detail that appears in the darkest areas of the image. Highlights: Adjusts the detail in the lightest areas of the image.īlack Point: Adjusts the point at which black areas become completely black (no detail can be seen). Saturation: Adjusts the color ( chroma) intensity. To change settings for a color adjustment (or color-grading preset) you added previously, tap next to the adjustment in the inspector.Įxposure: Lightens or darkens the image, with highlights typically affected more than the other tones.Ĭontrast: Sets the relative amount of contrast between light and dark areas.īrightness: Adjusts the overall brightness of the image. Note: You can also add the Color Adjustments effect from the browser. Color-grading presets are based on the Color Adjustments effect and have the same controls, so you can start by applying a preset and then adjust its settings to create a custom look.Īdd a color effect: Add a color effect from the browser to quickly change an image to black and white, add a tint, create a film-negative effect, and more. You can adjust exposure, contrast, brightness, saturation, and more, and you can independently adjust the image’s highlights, shadows, and midtones.Īdjust color using a color-grading preset: Apply a preset from the browser-such as Green Muted Wash or Cool Shadows with Warm Highs-to quickly give your clips a particular look. Manually adjust color: Apply the Color Adjustments effect from the browser or inspector, then adjust a wide variety of settings to achieve the look you want. You can adjust color in your clips in several ways: Final Cut Pro includes powerful and easy-to-use tools for color grading clips in your video. In any post-production workflow, color correction (also known as color grading) is generally one of the last steps in finishing an edited video. Make color adjustments in Final Cut Pro for iPad Create areas of transparency with masks.Use the Flow transition to merge jump cuts.Adjust depth of field in Cinematic mode clips.Adjust the focus in Cinematic mode clips.Change the focus in Cinematic mode video.Start a Final Cut Pro for iPad subscription.If you follow his steps, you’ll be grading like a pro in no time. The tutorial is very practical in application. The tutorial outlines a three-step process which Denver uses to grade all of his footage. In this tutorial from Color Grading Central, we take another look at the order of operations you can use when color correcting and grading. Masks allow you to isolate small portions of the frame so you can apply color changes without applying them to the entire frame. When it comes to getting a professional color grade, a mask is your best friend. The tutorial outlines how easy it is to save and manipulate presets in FCPX. In this tutorial from Denver Riddle on behalf of Color Grading Central, we take a look at how to create a few popular looks using presets in FCPX. One of the cool things about color grading in FCPX is the ability to save color presets. This tutorial focuses on what your workflow should look like. The tutorial is actually part of a larger tutorial series about FCPX on .Ĥ. Final Cut Pro X Color Grading Tutorial: Popular Looks In this lesson from, we learn how to color correct and grade in FCPX from the well-spoken Ashley Kennedy. Even if you think your waveforms look a little strange, the end result may still look nice.ģ. Following a Proper Color Correction Workflow Videoscopes are incredibly important if you are sending your video out for broadcast. In the second part of his two-part series, we take a look at how to read various videoscopes in FCPX. In part one of his two-part c olor grading tutorial, Matthew Pearce shows us how to create a cross-processed and sunset look in FCPX. Along the way he shows us how to use some of the basic color adjustment tools in FCPX. Created By: Matthew Pearce Part 1: Basic Color Corrections
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